William Makepeace Thackeray (1811-1863)

English novelist and author of The Rose and the Ring (1855). This satirical fairy story, subtitled ‘a fireside pantomime for great and small children’, was written to amuse his two daughters who were in Rome with him in 1853. The preface describes how they wanted to give a Twelfth Night party, but that no shop in Rome could provide ‘the characters—those funny painted pictures of the King, the Queen, the Lover, the Lady, the Dandy, the Captain, and so on, with which our young ones are wont to recreate themselves at this festive time’. Thackeray thereupon drew the characters and wove a story round them. We see King Valoroso and his queen on facing pages—‘Here behold the monarch sit | With her majesty opposite’; this running commentary in couplets continues through the book. Valoroso has usurped the throne of his nephew, Prince Giglio, who has been encouraged to lapse into a state of unambitious indolence. At Giglio's christening the gift of Fairy Blackstick—bored with necromancy after two or three thousand years—merely had been that he should have ‘a little misfortune’. She had made a similar wish at the christening of Princess Rosalba of Crim Tartary, whose identity is lost when she is a small child, and who becomes maid to Princess Angelica, Valoroso's daughter. The rose and the ring are gifts that Blackstick had once bestowed on godchildren, and have been passed on; they have the power of making wearers seem attractive—even the lumpish Prince Bulbo who comes to woo Angelica.

There are many subsidiary comic characters, among them the hideous Countess Gruffanuff and her husband, porter at Valoroso's palace, who is turned into a door knocker by Blackstick as a punishment for his insolence. The story is labyrinthine in its complexity, and the only moral is a flippant one; Giglio grasps that to be attractive he must have education. He departs for ‘Bosforo’ (Oxford) where he studies assiduously, then discards his books and goes off to win back his throne. The story finishes with the marriages of Giglio and Rosalba (their respective misfortunes now ended) and of Bulbo and Angelica, Gruffanuff's husband having ceased to be a door knocker just in time to prevent the marriage of the Countess to Giglio, who had once unguardedly proposed to her.


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